Top 5 Films We Watched in 2021

This year has been very… different. Due to the coronavirus, the entertainment industry found new ways to give us entertainment and further their streaming services. HBO launched all Warner Brothers films on day one, later in the year they released in theaters at the same time. Disney+ housed a premier access model. For an additional fee, you could see a few select fils that were released in the summer. They changed the model later in the year to allow for a 45 day lag between the theatrical release and when it was available via streaming. We like this recent model and hope it continues.

Note: There is a tie for first place. So technically there are 6… because why not.

1. Free Guy (Tie)

Who doesn’t feel like an NPC (Non-Playable Character) in real life sometimes? It’s why video games and social media have become lifelines during the pandemic. They allow us to live the idealistic version of ourselves and interact with others. Behind the wonderful effects remains a story with a lot of heart. You can be the good guy and be exactly who you were meant to be. You just need to have faith in yourself and take the chance.

1. Gunpowder Milkshake (Tie)

Of all the films released this year, Gunpowder Milkshake hit every mark. We’re not sure if it was the cast, if we were in the right frame of mind when we watched it, or if it was just that good to us. Either way, we would (and have) watched it more than once. It’s just that entertaining. Make a bowl of popcorn and just enjoy the spectacle of the entire feature.

2. Cruella

The first Disney entry on our list is one that took us by surprise. Emma Stone was spectacular in the leading role and gave us everything we could want and more from the character of Cruella. The film suffers from some CGI issues that could not be ignored after a while, but overall, the film was really enjoyable. We understand many fans out there don’t want villains to have backstories, but we like them. Villains shouldn’t be one dimensional people. As Kevin Bachelder has said many times, “villains are the heroes of their own stories.” We really enjoy seeing them.

3. Black Widow

The Marvel film fans have been clamouring for finally released in 2021 and did not disappoint. Natasha Romanoff’s origin story gave us a truly heartbreaking film with funny moments. Between Yelena’s pose comments, and her subsequent disgust over using it, to the secret whistle between sisters, Black Widow had action, emotion, and comedy. Its biggest downfall was twofold. First, it felt really late to the MCU. The fans have been asking for an origin story for years and it felt that without the events of Endgame, this might never have happened. Second, the after credit scene felt like it cheapened the entire story and made it about one of the original Avengers. Everything fans were irritated about regarding Black Widow being overlooked or minimized was reinforced.

4. Raya & the Last Dragon

Raya & the Last Dragon had everything one could want in a fun Disney film. The battle for bringing an entire community together with dragons is a fun family film. Plus, Tuk Tuk is absolutely adorable. Where is seems to stall is in the overly idealistic overtones that were formulaic to a fault. With so much available in the story, we wanted more beyond the obvious message. Overall, it’s an enjoyable watch with stunning visuals with amazing actor portrayals.

5. Sweet Girl

Another surprise film was Netflix’s Sweet Girl. We’ve seen Jason Momoa in action films before, but never one like this. Playing a father and husband who fights to help his wife fight cancer. After insurance companies get involved, so do the conspiracies and back door dealings. The story isn’t perfect and requires some suspension of disbelief; however, the ending was something we did not see coming. That’s saying something for Kimberly, who usually sees twists in plot lines from a mile away.

Like we said, this year has been different from years past. The truth is, theaters are still not back to where they were before the pandemic. We don’t know if the larger 20+ screen multiplexes are approaching the end of an era. Maybe theatrical releases with the 45 day window before streaming services and VOD will be the new norm. With TV’s, sound systems, and theater seats wildly available, the landscape is  quickly transforming.

So, what will 2022 bring? We’re unsure, but what we do know is that we cannot wait to cover the upcoming films for you.

Top 5 TV Shows We Watched in 2021

Good television has always found a way to change the world. It can introduce us to fantasy/sci-fi worlds where a woman with a destiny can fight evil with a flaming sword. It can also have a massive misstep that offends the world over. These top five shows, some we have not covered in our podcast, are the Top 5 Shows we thoroughly enjoyed this year. Our top two on this list are almost interchangeable. The storytelling, the emotions… they gripped us, devoured us, and rebuilt us forever changed by the episodes we watched.

1. Wynonna Earp S4 – Series Ended

With the witty writing, engaging characters, expert portrayals, and a same-sex wedding, the season we Earpers fought for was worth it. The 4th season (& subsequently final one thanks to SYFY) was the culmination of everything the fandom needed, even if we didn’t know it at the time. We needed our wedding. We needed Doc & Wynonna to go off and find Alice. We needed Dark Waverly to do what this show had done for its entire run – break the rules. Now… has anyone seen Eve?

2. WandaVision – Limited Series 

With the backing of Disney & Marvel Studios, WandaVision had very high expectations. It truly delivered. The first of the Marvel Series to hit the streaming service (due to the coronovirus), WandaVision led us through the stages of grief blended in a world of Wanda’s making. The depth of the characters, the gut wrenching scenes… it all led us to an end that is truly the beginning for Wanda Maximoff. We’re still discussing the Ship of Theseus Thought Experiment.

3. Motherland: Fort Salem S2 – Renewed for a 3rd & Final Season

The ending of season one left the fanbase clamouring for more. Season 2 did not disappoint. We delve further into Alder’s past and learn about the Mycelleum. Raelle, Tally, and Abigail all come into their own unique abilities as their strength as a unit becomes even stronger. Scylla’s redemption arc with Anacostia’s help is painful, powerful, and lovely. Time will tell where the fictional world of Fort Salem goes from here, but knowing it is the end brings mixed emotions. There are so many stories that could be told, yet the staff has time to put together an end they want to portray. They’ve been given the blessing of time. Here’s hoping the final season is everything and more.

4. The Equalizer S1 – Renewed. S2 currently airing as of this posting

This series is not a new concept. We grew up watching the original and Kimberly has seen the subsequent movies. All of them are good. Queen Latifa is better. Hands down. She brings an emotion to the role that no one has been able to capture before. There’s a humanity in her every move, every thought, that makes you feel a part of her journey. The cast, the writing, all of it is well done. Even in some slower episodes, you still feel invested enough because the character development is there.

5. Clarice S1 – Cancelled

Why enter a series on the list that’s been cancelled with no hope of ever seeing the light of day? Truthfully, because it should. Clarice was a slow developing series with a depth that pulled you in. Showing the gutsy emotions of Clarice after the events of Silence of the Lambs was a risk, and in truth it was brilliantly done. One can blame circumstance and delays in airing to why this show was derailed. It should never have been on main network television. This series screams for streaming. It screams for a short, tightly woven season… the networks (all of them involved in this) failed. In doing so, they removed a rich story with so much promise.

Special Nod to Midnight Mass

Midnight Mass was wonderful and could be considered on this list at anytime. The undertones, the story, the emotions… they were powerful. The only reason Kimberly pulled it off the list… the dog. When it comes to listing the best, sometimes it’s the little things.

As Above, So Below (2014) Review


We’ve asked our listeners/Twitter followers what films they want us to review. As you can see above, MarisaAR suggested As Above, So Below (2014). We were happy to oblige; but please know, some spoilers are ahead.

We’ve seen found footage horror films before. Some, like Blair Witch, have worked out okay. Others, not so much. As Above, So Below falls into the former category. We meet Scarlett (Perdita Weeks) on a bus traveling through Iran illegally looking for the Philosopher’s Stone. Following her father’s notes, her obsession has led her here and her regard for life (including her own) is clear: everyone is expendable.

As we follow her to Paris, we see Scarlett pull her fearful best friend, George (Ben Feldman), into her quest. The trail leads them to the Paris Catacombs. Not the tourist side, oh no. They go to the treacherous side where, without a guide to maneuver their way through the ossuary, seals their fate.

There are many other aspects to the film that makes this a fun watch. First, this was actually shot in the Paris Catacombs. The entryway, the cramped feeling, the water – all real. In fact, the crew carried a piano into the vicinity to shoot a specific sequence. It works and it adds a layer of fear and discomfort for those who hate small spaces.

Secondly, once you understand that the film pulls from Dante’s Inferno, it takes on deeper meanings. The death sequences, the traps, the world from one side being a mirror image of the other – it’s brilliantly done.

That being said, there are some flaws that leave the story somewhat flat. We don’t want to give the whole story away so suffice it to say that we would have liked more development. If nothing else, less characters and deeper insights. As this felt like a psychological thriller/horror, a few more character and plot developments would have been great additions.

One final nitpicky thing: the headlamps were always pointed at the ceiling. While we’re sure this was for filming, it was rather distracting. If this had been a true found footage item, they would be aimed straight ahead and on the highest settings. In both cases, they weren’t. Again, nitpicky, but it was something that kept running through Kimberly’s mind throughout.

Overall, it was a fun watch that left us with more questions than answers. The one thing we can say for sure, this movie led Kimberly down a rabbit hole as she spent hours online looking and reading about the Paris catacombs and the stories of people who go there. This film was eerily spot on.

Malignant (2021) Review


Malignant (2021) was released simultaneously in theaters and HBO Max on September 10, 2021. After hearing about the quality of this film, we had to check it out. Sadly, after watching it… we wish we left it to the imagination. We can’t review this film without giving away several plot points, so be warned, spoilers are forthcoming.

The film is beautifully shot. There are sequences throughout that just showcase the mind of James Wan and his creative genius. That being said, if stunning imagery was all we needed for a solid film, this would be Oscar worthy. Instead, it’s a slow burn film that seems to need the viewing audience to not ask questions so that the plot can move along.

Madison, played by Annabelle Wallis, is married to an abusive man. Derek, played by Jake Abel, appears to be a lazy husband who continues to abuse his wife physically, mentally and emotionally. We know this because he slams Madison’s head against a wall in a fit of rage. He also makes a nasty comment about how she continues to get pregnant and how he gets to watch all his babies die within her. While those scenes are evil, that’s all we get. The next thing we know, Derek meets his end by a shadowy figure that manipulates electricity. Then he’s just gone. The relationship seems to fall to the background with no information or development into why Madison was with him. She just was.

After all this, more people keep dying. Madison admits to having a “friend” named Gabriel who kept doing evil things. Turns out he isn’t imaginary, he’s a parasitic twin and they share a brain. The victims were all the doctors that removed his tiny arms and legs from Madison’s back. The problem… they share a brain. When Gabriel comes forward, Madison is a witness to it all.

Overall the film feels clunky, slow and lacking development of key characters (like Madison’s sister, Sydney). The scares feel less like true jump scares or thrilling scenes and more like something needed to get us from point A to point B. It’s as if they need to hand hold the audience instead of letting our minds run wild with all different options. Sometimes the most terrifying parts of thriller/horror films is just hearing music, seeing the camera move and our minds filling in the blanks. 

In the end, we really wished we never started the film. Our imaginations of what it could be, were by far better than what we watched. If you like the idea of a parasitic twin, we suggest reading Stephen King’s The Dark Half. It’s better in our humble opinion. There was a film made about it, but maybe just read the book and let your mind play tricks on you.

The Clovehitch Killer (2018) Review


The Clovehitch Killer (2021), released in November 2018, is now available on Netflix. The thriller tells the story of Tyler Burnside (Charlie Plummer) discovering his idyllic Christian family is anything but. After coming across a cache of disturbing information in his father’s possession, Charlie enlists school pariah Kassi (Madisen Beaty) to decipher what it all means. The premise leads us down a twisted road with an ending that doesn’t seem to fit the rest of the film.

As we’ve alluded to in past reviews, it isn’t just how a film or a television series begins. It’s how they hold our interest and finish with a bang.

Serial killers hiding in plain sight are nothing new. BTK was a father. Ted Bundy was one too. They had jobs, lived two lives. In Clovehitch, Don Burnside (Dylan McDermott) is no different. He’s a troop leader, donates his time to helping the food pantry and attends church regularly. The community respects him. His son reveres him until a revelation happens that threatens to unravel Burnside’s image and reputation.

It’s here that the film loses its way. Characters thrust together to confirm suspicions. They left several tendrils of plot open open without explanation or closure. The film switches from a slow-paced thriller to one that felt it needed to finish under a certain runtime. 

Clovehitch starts off with an interesting premise. It reels you in and makes you want to stay for a bit. Then, for some inexplicable reason, it lets the line go as they rush to the finish line. While McDermott and Plummer do their best with the material, their interactions at the end feel forced and almost lost. It’s sad, as the beginning had so much promise.

Oxygen (2021) Review


Oxygen (2021), released on Netflix in May 2021, is a nightmare of a film for those scared of small or tight spaces. Truthfully, that made this film a difficult one to watch and write a spoiler free review.

A woman wakes up from cryogenic sleep locked in a pod. Worst yet, she’s running out of oxygen and does not know who she is, where she is or how to fix the situation. All of this plays out in the box. She can’t sit up. She can’t open the pod. The tight fitting space, the emotions of actress Mélanie Laurent, and the AI in her pod are all we really get to see. They are also the only two sources of actual information for the first half.

This is where Oxygen succeeds as a film. The direction and acting are on point. You can feel the desperation, the fear of impending oxygen depletion, and understand how irrational the characters responses are. There is no shying away or hiding from what Liz, played by Laurent, is facing. Time is not on your side and you feel as if it’s passing faster than normal.

The second half of the film felt slower and slightly disconnected from the first half. We learn more detailed information fully fleshed out before us. Yet, the immediacy doesn’t feel quite the same as when we first meet Liz. Maybe it was a deliberate change for creative reasons. We’ll never know.

The ambiguity of the ending gave us pause. Not because it was outrageous or unfathomable… but because at that point – the emotional connection was weak. No matter which way we viewed it, any of the options felt okay. There was nothing that made us so attached that we could only see one outcome happening. 

Overall, the film is a very interesting take with tremendous acting. While the film might not have pushed us to the four-star mark – it is worth an evening watch. 

The Reef (2010) Review


The Reef (2010) is our final film dedicated to our shark month of July. The Australian Film, based on the true story of Ray Boundy, hits a lot of terrifying moments but left us feeling indifferent.

Please be aware, there is a slight spoiler for a specific scene in this review.

The film’s tagline “Pray that you drown first” is spot on. Five individuals head out on a boat trip along the Great Barrier Reef. Without spoiling too much, the boat capsizes and leaves the five passengers to figure out a way back to a small island. Four go in the water and one remains behind, terrified of what is underneath the surface. Along the way to the island, they realize a Great White is following them.

Will they make it to shore? You’ll have to watch the film to find out. Suffice it to say that, the film does a good job with character development so we feel an emotional connection to each one. Be aware, they don’t hit the water until about 30 minutes into the film. They really do set things up. This might be a turnoff for those looking for a quick action shark thriller.

The editing uses real life shark footage that adds to the film’s tension. That being said, there is one instance of a CGI shark that is so fake it made us laugh. Specifically, a Great White shark jumps over the shoulder of a female character. The character wasn’t harmed at all. Her body barely moved or registered the closeness. The way the shark jumps her (not jump the shark LOL) the power should have forced her under, forward…. something. Additionally, wouldn’t the pectorals have hit the back of her head? Maybe it would have knocked them unconscious? Literally, she was just terrified. It felt like a cheap jump scare that was unnecessary.

Overall, The Reef is a film that makes you keenly aware of the ocean’s top predator. It is a reminder that while we enjoy playing within those waters, deadly creatures do inhabit them. It uses our fear of the unknown and potentially becoming prey to its advantage.

Several reviews have compared this film to Open Water (2003), a film done with no budget and the actors surrounded by real sharks. In fact, looking at the trivia on the IMDB page, the actors wore chain mail under their wetsuits in case the Caribbean Reef Sharks bit them. Thankfully, no one had a negative encounter. The film, also based on a true story, came out years before The Reef. Yet, their movie posters look eerily similar. Click on their links to see for yourself.

While we can see some comparisons between the two, each is unique in the emotional context. Open Water is a slow descent into the acceptance of death. There is no hope. There is no way out. There are only the sharks, the vast ocean and you. That in and of itself is more terrifying than anything else. The Reef, while scary in its own right, has hope. There is land. They can get there. You hold on to that glimmer as they swim, because you saw the reef earlier in the film. To compare the two seems an injustice to both.


NOTE: We truly believe sharks are not the man-eating monsters movies portray them to be. Remember, we kill more of them daily than they do us. The Inertia reports that humans kill closer to 100,000,000 sharks per an average 10 shark attack fatalities annually. Padi even lists 18 things more dangerous than sharks. While these films might be fun, they are also dangerous to the perception of shark encounters. No one wants to have one, but we have to understand and respect that when we enter the oceans, we are entering their domain.

47 Meters: Uncaged (2019) Review


47 Meters Down: Uncaged (2019), the sequel to the original Mandy Moore led film 47 Meters Down (141 feet down), tries to scare us with cave diving and sharks. While some jump scares were effective, it was more the idea of being trapped that made our hands sweat.

According to the summary on IMDB: “Two sisters diving in a ruined underwater city quickly learn they’ve entered the territory of the deadliest shark species in the claustrophobic labyrinth of submerged caves.”

We’re scuba divers so this film and its predecessor were right up our alley. The first film has us on the edge of our seats with the oxygen sensors beeping. We know what that feels like and the film nailed it. In the sequel, they’ve upped the ante with cave diving, no guide rope, low oxygen, and, of course, sharks.

First, cave diving requires additioanl skills and training to navigate the dive. In one entrance to a cave at Devil’s Den in Florida (we did not go in – just stayed around the opening) we saw a sign with the Grim Reaper warning of death. These signs are posted for a reason. So when these characters admit they’ve never done this before was rather irritating. Second, why doesn’t anyone in these films follow the “Plan Your Dive. Dive Your Plan” rule? They’d know this system was out of their ability, but that film would never sell.

47 Meters: Uncaged’s dark footage makes death feel inevitable and survival helpless. One by one, characters are picked off by the sharks or drown. One death scene flashed Kimberly back to the classic shark film, Deep Blue Sea. Beyond that, nothing stands out about the fate of these characters. In truth, we’re not given enough information to care about who dies or when. Then again, if we’re watching this film, do we expect to care? Aren’t we watching it expecting them to die?

It’s not a perfect film, but it kept our nerves on edge. There’s a reason we don’t cave dive and this film, sans the sharks, is it. So, make some popcorn, grab a drink and just enjoy it for what it was, an entertaining horror film.

A real sign from Devil’s Den.

The Meg (2018) Review


In honor of Shark Week 2021, our blog reviews will cover two shark based films this month. We’re also choosing films we hadn’t seen before. First up, The Meg!

The Meg (2018) preys on our fear of the deepest parts of the ocean we’ve yet to discover. The film is a fun escape and has some bite to it. 

The film has been out for a while, so why did it take so long for us to watch it? Truthfully, we can’t really say. Sometimes you plan on seeing something, in theaters or on streaming services, and things just happen. Doesn’t mean the film is horrible; just that life sometimes gets away from you. Now that we’ve seen it, would we have spent the money in theaters? No. Is it worth streaming, buying a digital copy, etc? If you like shark films that don’t take themselves seriously, yes.

The Meg starts off like many other films in the same genre. A science facility funded by an uber-wealthy man tries to prove that the bottom of the ocean as we know it… well, isn’t the actual bottom. The cast of characters are as follows: the headstrong scientist, his colleague who also is his daughter, his innocent granddaughter, the sacrificial lamb who only lasts a few minutes, an expert who looks different than the protagonists expects, the drama of an ex-wife and new love interest, the tortured hero and even a dog that we screamed “PIPPIN” referencing Jaws at the screen. The dog in The Meg, also named Pippin, is an homage of sorts but please filmmakers just stop. Please leave our furry friends on DRY LAND! They didn’t ask for this… but we digress.

Considering all the above, why do we give it three stars? Because it never claims to be anything other than a cool, campy-esque type film. When the facility’s submersible proves that the mapped ocean floor isn’t the true bottom, they’re immediately attacked. Enter Jonas Taylor (Jason Statham) as the ONLY person who could ever mount a rescue at that depth. He grabs the second submersible and heads down. Before we can cheer that the Megalodon still lives, their meddling opened the doorway for the fish to hit the upper layers of the ocean. Now the race to save the oceans and all the potential victims is on.

The action sequences showcasing the massive Meg with smaller sharks in the water or the beach with humans are done well and add to the fun factor of the film. The CGI doesn’t feel cheap in any of these scenes. The final battle feels too short, but maybe the budget couldn’t handle more at this point.

Nothing will ever come to the level of Jaws, and many films have failed trying to duplicate it. The Meg (2018) is simply a fun film. There is violence and some scares here and there, but overall it never takes itself too seriously. So, if it’s on streaming or you want a fun rental, go for it.

Army of the Dead (2021) Review


Army of the Dead (2021) dropped on Netflix on May 21, 2021. With Zack Snyder being not only the director but also part of the writing staff, given that his “Synder Cut” of Justice League received great reviews from fans, Army of the Dead should be winner… right?

Well, that depends. If you are looking for a heist film in the vein of The Italian Job or Oceans 8, 11, 12, 13, it’s not that. If you are looking for a 24 Days Later, or a Resident Evil-esque fun Zombie film, it’s not quite that either. It feels like the film smashed two things together and tried to make them blend. Sadly, neither one is fully developed to be truly successful.

The rundown of the film seems simple enough. The military envoy is transporting a secret package. After an accident the package, an alpha zombie, breaks free, slaughters everyone and walks over a hill to see the bright lights of Las Vegas. The city becomes overrun and the government seals it off with shipping containers. Scott Ward (Dave Bautistsa) creates a team to go into Vegas, empty a casino vault and split the money with the owner and his party. 

But we all know it isn’t that simple. There’s a lot of betrayal, lies, and senseless death. It’s a zombie film but we’ve all seen this before. The characters are thin; the story has plot holes that looks like Swiss cheese. Zombie bites affect different people in different ways with no explanation. 

Basically, the film is fun if you just don’t think about it. Sit back on your couch, have a bowl of popcorn and just laugh at the absurdity of it all. There’s no genuine connection to any of the characters. When one dies, it more about the fantastic slow motion or the blood splatter. If that was the whole point, then Snyder and his team score much higher than our rating.

After watching the trailer, marketing once again led us astray. We wanted… we expected more from this film. There were so many excellent plot points the film could have explored further, but seemed to just let the opportunity slip away. If there is a sequel, maybe they will circle back to all of that.

In the end, the film is okay even if it is a bit too long for what they’re presenting. Like we said earlier, if you want a mindless film to laugh at while stuffing popcorn in your mouth, go for it. Otherwise, skip it.